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Exhibition view, Allianzen. Arp / Taeuber-Arp / Bill, Kunstmuseum Appenzell, 05.05. – 06.10.2024, photo: Ueli Alder

Exhibition view, Allianzen. Arp / Taeuber-Arp / Bill, Kunstmuseum Appenzell, 05.05. – 06.10.2024, photo: Ueli Alder

Exhibition view, Allianzen. Arp / Taeuber-Arp / Bill, Kunstmuseum Appenzell, 05.05. – 06.10.2024, photo: Ueli Alder

Exhibition view, Allianzen. Arp / Taeuber-Arp / Bill, Kunstmuseum Appenzell, 05.05. – 06.10.2024, photo: Ueli Alder

Exhibition view, Allianzen. Arp / Taeuber-Arp / Bill, Kunstmuseum Appenzell, 05.05. – 06.10.2024, photo: Ueli Alder

Exhibition view, Allianzen. Arp / Taeuber-Arp / Bill, Kunstmuseum Appenzell, 05.05. – 06.10.2024, photo: Ueli Alder


Exhibition view, Allianzen. Arp / Taeuber-Arp / Bill, Kunstmuseum Appenzell, 05.05. – 06.10.2024, photo: Ueli Alder

Exhibition view, Allianzen. Arp / Taeuber-Arp / Bill, Kunstmuseum Appenzell, 05.05. – 06.10.2024, photo: Ueli Alder

Sophie Taeuber ArpCercles mouvementés, 1934Gouache and pencil on paperCourtesy Fondazione Marguerite Arp, FMA3326 × 35 cmPhoto: Roberto Pellegrini

Sophie Taeuber Arp
Cercles mouvementés
, 1934
Gouache and pencil on paper
Courtesy Fondazione Marguerite Arp, FMA33
26 × 35 cm
Photo: Roberto Pellegrini

Exhibition view, Allianzen. Arp / Taeuber-Arp / Bill, Kunstmuseum Appenzell, 05.05. – 06.10.2024, photo: Ueli Alder

Exhibition view, Allianzen. Arp / Taeuber-Arp / Bill, Kunstmuseum Appenzell, 05.05. – 06.10.2024, photo: Ueli Alder

Sophie Taeuber-ArpLignes géométriques et ondoyantes, 1941Pencils on paper, 32 × 30.5 cmFondazione Marguerite Arp, Locarno

Sophie Taeuber-Arp
Lignes géométriques et ondoyantes, 1941
Pencils on paper, 32 × 30.5 cm
Fondazione Marguerite Arp, Locarno

Exhibition view, Allianzen. Arp / Taeuber-Arp / Bill, Kunstmuseum Appenzell, 05.05. – 06.10.2024, photo: Ueli Alder

Exhibition view, Allianzen. Arp / Taeuber-Arp / Bill, Kunstmuseum Appenzell, 05.05. – 06.10.2024, photo: Ueli Alder

Exhibition view, Allianzen. Arp / Taeuber-Arp / Bill, Kunstmuseum Appenzell, 05.05. – 06.10.2024, photo: Ueli Alder

Exhibition view, Allianzen. Arp / Taeuber-Arp / Bill, Kunstmuseum Appenzell, 05.05. – 06.10.2024, photo: Ueli Alder

Exhibition view, Allianzen. Arp / Taeuber-Arp / Bill, Kunstmuseum Appenzell, 05.05. – 06.10.2024, photo: Ueli Alder

Exhibition view, Allianzen. Arp / Taeuber-Arp / Bill, Kunstmuseum Appenzell, 05.05. – 06.10.2024, photo: Ueli Alder


Exhibition view, Allianzen. Arp / Taeuber-Arp / Bill, Kunstmuseum Appenzell, 05.05. – 06.10.2024, photo: Ueli Alder

Exhibition view, Allianzen. Arp / Taeuber-Arp / Bill, Kunstmuseum Appenzell, 05.05. – 06.10.2024, photo: Ueli Alder


Exhibition view, Allianzen. Arp / Taeuber-Arp / Bill, Kunstmuseum Appenzell, 05.05. – 06.10.2024, photo: Ueli Alder

Exhibition view, Allianzen. Arp / Taeuber-Arp / Bill, Kunstmuseum Appenzell, 05.05. – 06.10.2024, photo: Ueli Alder

Exhibition view, Allianzen. Arp / Taeuber-Arp / Bill, Kunstmuseum Appenzell, 05.05. – 06.10.2024, photo: Ueli Alder

Exhibition view, Allianzen. Arp / Taeuber-Arp / Bill, Kunstmuseum Appenzell, 05.05. – 06.10.2024, photo: Ueli Alder

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Arp / Taeuber-Arp / Bill

Allianzen

5 May – 6 October 2024 / Kunstmuseum

The exhibition Allianzen was organised in cooperation with the Fondazione Marguerite Arp, Locarno, and sheds light on the friendship and collaboration between Hans Arp (1886-1966), Sophie Taeuber-Arp (1889-1943) and Max Bill (1908-1994) in the 1930s and 1940s. In a period characterised by the struggle for avant-garde art, groups of artists gained in importance, giving rise to collective forms of communication, pioneering ideas and works of art.

This exhibition at the Kunstmuseum Appenzell illustrates the commitment of avant-garde artists' groups to non-objective art. It features portfolio works that were created as joint artistic and publishing productions during or in the years before the Second World War – at a time when the artistic vanguard was increasingly marginalised. Activities included the production of print series, the publication of books and magazines and participation in exhibitions. Paintings, sculptures and reliefs by Arp, Taeuber-Arp and Bill, some of which were included in important historical exhibitions, are included in the exhibition. Letters complement the presentation and shed light on the interaction between the three protagonists. Most of the works originate from the Fondazione Marguerite Arp and the collection of Chantal and Jakob Bill, as well as from institutional and private collections.

Of outstanding significance is the presentation of the magazine Plastique / Plastic, which was dedicated to non-figurative art. Five issues were published between 1935 and 1939, largely characterised by Sophie Taeuber-Arp. Like the artists' associations, the magazine facilitated networking between artists and the transatlantic exchange of the constructive avant-garde at a time when countless artists had already turned their backs on Europe. Issue number six could not be realised due to the early death of the artist. The designs, which were developed by Taeuber-Arp together with Max Bill, are being shown for the first time in an exhibition. Issue no. 6 is also a focal point of the publication produced to accompany the exhibition.

Curated by Dr Simona Martinoli (Director Fondazione Marguerite Arp) and Stefanie Gschwend (Director Kunstmuseum / Kunsthalle Appenzell).





New publication

The publication allianzen. arp, taeuber-arp, bill with texts by Isabelle Ewig, Walburga Krupp and Jakob Bill and a foreword by Stefanie Gschwend and Simona Martinoli is being published by Scheidegger & Spiess on the occasion of the exhibition.

Including many materials published for the first time, this volume sheds light on the artistic and intellectual presence of Arp, Taeuber-Arp and Bill in important artists' groups and magazines of the 1930s and 1940s.

Appears at the beginning of May
Published by Scheidegger & Spiess
edited by Jakob Bill, Stefanie Gschwend and Simona Martinoli
Language German 
Hardback, 144 pages
132 colour and 15 b/w illustrations
21 x 27 cm
ISBN 978-3-03942-165-7

The exhibition is kindly supported by


Susanne und Martin Knechtli-Kradolfer-Stiftung
Steinegg Stiftung
Hans und Wilma Stutz Stif­tung
Bertold Suhner Stiftung
Dr. Fred Styger Stiftung

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