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Agata Ingarden, Social Security (Grandma’s Cupboard), 2022, Courtesy Berthold Pott Gallery Cologne and Agata Ingarden, photo: AR

Agata Ingarden, Social Security (Grandma’s Cupboard), 2022, Courtesy Berthold Pott Gallery Cologne and Agata Ingarden, photo: AR

Agata Ingarden, Suit Prelude 1 (2021), Courtesy Agata Ingarden and Berthold Pott Gallery, Cologne, photo: Ben Hermanni

Agata Ingarden, Suit Prelude 1 (2021), Courtesy Agata Ingarden and Berthold Pott Gallery, Cologne, photo: Ben Hermanni

Agata Ingarden, Social Security (Bathroom Fridge), 2022, Courtesy Berthold Pott Gallery Cologne and Agata Ingarden, photo: AR

Agata Ingarden, Social Security (Bathroom Fridge), 2022, Courtesy Berthold Pott Gallery Cologne and Agata Ingarden, photo: AR

Agata Ingarden, Social Security (Grandma’s Cupboard), 2022, Courtesy Berthold Pott Gallery Cologne and Agata Ingarden, photo: AR

Agata Ingarden, Social Security (Grandma’s Cupboard), 2022, Courtesy Berthold Pott Gallery Cologne and Agata Ingarden, photo: AR

Agata Ingarden, Candy Crush, 2022, courtesy Agata Ingarden and Berthold Pott Gallery, Cologne, photo: AR

Agata Ingarden, Candy Crush, 2022, courtesy Agata Ingarden and Berthold Pott Gallery, Cologne, photo: AR

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Agata Ingarden

Desire Path

5 October 2025 – 8 February 2026 / Kunsthalle

Agata Ingarden's first comprehensive exhibition in Switzerland, Desire Path, creates imaginary worlds beyond anthropocentric perspectives and combines organic forms with cultural and industrial reference systems.

Agata Ingarden (born in Poland in 1994) develops scenarios of speculative futures in her works and opens up new spaces for imagination and experience. Her visual vocabulary surprises with unexpected connections between everyday objects and natural materials, industrial processes and organic forms. In this field of tension, the works appear both alien and familiar. They play with human and non-human scales and are reminiscent of past cultures and techniques. Ingarden works across media, from installations and sculptures to video works.

The exhibition unfolds a multi-layered scenario in which each floor represents not only a spatial but also a conceptual transition. A dramaturgical movement unfolds over three galleries: from the landscape as an open, processual world, to the house as a living organism, to the inner self, which oscillates between protection and control. Ingarden's works are not self-contained narratives, but experimental arrangements. They function as laboratories for possible futures – scenarios that are tested through shifts in perspective, through material in transformation, through bodies in dissolution and regeneration.

PROGRAMME


DO / 6.11. /
Guided Tour 18:30 / Art Bar 20:00
CURATOR'S TOUR AGATA INGARDEN (German)
with Stefanie Gschwend, Director & Curator
/ Kunsthalle

TBA /
SCIENCE FICTION READING WITH THE BOOKSHOP
APPENZELL (German)
Accompanying the exhibition Agata Ingarden / Kunsthalle

SA / 17.1. /
18:00–23:00 APPENZELL MUSEUM NIGHT
A night at the museum in cooperation with Museum Appenzell.
The detailed programme will be announced on the website.
/ Kunstmuseum & Kunsthalle

DO / 5.2. /
Guided Tour 18:30 / Art Bar 20:00
PUBLIC TOUR AGATA INGARDEN. DESIRE PATH (German)
with Luca Tarelli, art historian
/ Kunsthalle

For english tours please contact Kunsthalle

Curator

Stefanie Gschwend, Director Kunstmuseum / Kunsthalle Appenzell

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