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Caline Aoun, Infinite Energy, Finite Time, 2019, Villa Merkel, Stuttgart, Courtesy of the artist and Deutsche Bank, photo: Frank Kleinbach

Caline Aoun, Infinite Energy, Finite Time, 2019, Villa Merkel, Stuttgart, Courtesy of the artist and Deutsche Bank, photo: Frank Kleinbach

Caline Aoun, Measuring Entropy (detail), 2023, courtesy the artist and Marfa’ Projects, photo: Ros Kavanagh

Caline Aoun, Measuring Entropy (detail), 2023, courtesy the artist and Marfa’ Projects, photo: Ros Kavanagh

Radiant Alchemy, 2023, gallery’s fluorescent tube lights, fixtures, electric cables, and copper sheets / Measuring Entropy, 2023, paper, EVA glue, courtesy the artist and Marfa’ Projects, photo: Youssef Itani

Radiant Alchemy, 2023, gallery’s fluorescent tube lights, fixtures, electric cables, and copper sheets / Measuring Entropy, 2023, paper, EVA glue, courtesy the artist and Marfa’ Projects, photo: Youssef Itani

Caline Aoun, Artificial Dew (detail), 2023, copper pipes, aluminum plate, foam, fridge compressor, radiator with fan, thermostat, sensor, rele, courtesy the artist and Marfa’ Projects, photo: Youssef Itani

Caline Aoun, Artificial Dew (detail), 2023, copper pipes, aluminum plate, foam, fridge compressor, radiator with fan, thermostat, sensor, rele, courtesy the artist and Marfa’ Projects, photo: Youssef Itani

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Caline Aoun

3 May – 25 October 2026 / Kunstmuseum / Kunsthalle

The solo exhibition by Caline Aoun (*1983 in Beirut, Lebanon; lives and works in Beirut) spans the Kunstmuseum and Kunsthalle, presenting artistic approaches in which digital and physical processes interweave. Aoun works with installations and often site-specific media, including sculpture, printmaking, works on paper, and video. Using technical devices and everyday materials such as printing systems, water cycles, or natural substances, she translates phenomena such as light, heat, humidity, or data into aesthetic and sensorial experiences. Repetition, saturation, and delay serve as methods that allow her to explore the relationship between image, surface, and space. The exhibition responds attentively to the architectural and atmospheric conditions of each location, inviting reflection on how constellations of apparatuses and forms structure perception, influence states, and shape reality.

Curator

Stefanie Gschwend, Director Kunstmuseum / Kunsthalle Appenzell

Patron Association

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